Aaroh Films, Udaipur

Check your date
Two mangalsutra pendants on turmeric dyed threads, laid across a coconut beside a jasmine garland, in the last of the dark before a wedding day.

Aaroh Films

We don't shoot weddings. We keep the day.

Fine art wedding photography and films. Udaipur.

Real weddings

about two hundred wedding days since 2016

  • Hindu

    A couple embracing beneath a backlit red dupatta held up over both of them.

    Ananya and Rohan

    Udaipur . November 2024

    Four hundred guests crossed the water by boat, and the whole thing still went quiet for the phere.

  • Hindu

    Close up of hands over a brass vessel during the kanyadaan.

    Aarushi and Vivaan

    Jodhpur . February 2025

  • Hindu

    A couple close together in low golden light, her mehndi hand in his.

    Naisha and Dhruv

    Goa . December 2024

  • Sikh

    A Sikh couple laughing with their heads tipped together after the Anand Karaj.

    Simran and Jaskaran

    Delhi . February 2025

    An Anand Karaj at nine in the morning and a reception that did not stop until the milk arrived.

  • Sikh

    A couple kneeling before the Guru Granth Sahib under a floral palki, an elder leaning in to bless them.

    Gurleen and Arjan

    Nairobi . August 2025

  • Muslim

    A bride in deep maroon velvet and kundan jewellery, lit low and close.

    Sana and Adnan

    Jaipur . March 2025

  • Muslim

    Two mehndi covered hands clasped over ivory and gold bridal fabric.

    Fathima and Irfan

    Kozhikode, Kerala . January 2025

  • Christian

    A groom drawing a red silk manthrakodi over the bride's veiled head inside a Kerala church.

    Riya and Alan

    Kottayam, Kerala . January 2026

    A nuptial mass at eight in the morning, and a minnu her mother had kept in a bank locker since 1994.

  • Parsi

    A couple outdoors in mauve and white, his arms around her, both of them laughing.

    Delna and Zubin

    Udaipur . November 2025

Ananya and Rohan

8 to 12 minutes

Jagmandir Island Palace

Udaipur . November 2024

Heirloom albums and prints

One linen bound coffee table album, 12 by 18 inches, 30 spreads, lay flat, on matte fine art paper

Raw files
We do not hand over unedited raw files. Every frame we deliver has been graded by one of us, and that grade is the work you are hiring.
Download window
Galleries stay live with a 12 month download window. We will remind you twice before it closes.
A bride in a burnt orange dupatta fastens an earring, both hands covered in mehndi, the room falling away dark behind her.
A bride laughs with her eyes closed as an elder pours from a small gold kalash above her head, turmeric on her cheek and rose petals in her hair.
Linen bound coffee table book . Lay flat spreads
A crimson rose covered mandap with hanging crystal drops, seen through a scalloped sandstone arch in a fort courtyard.
A couple standing into a low backlit sun, her red dupatta drawn over her head, gold kaleere hanging from her wrist, the sky above them blown to white.
Archival pigment print . Matte fine art paper
A young woman in an orange and silver lehenga mid dance, both arms raised, her dupatta swinging, the night black behind her.
A couple stand forehead to forehead in a narrow doorway lit by five candles in a brass wall bracket, the panelled room around them nearly black.
Parent copies . 8 by 12 inches

Albums, by collection

  • The Candid Collection. Not included.

    No album, though you can add one

  • The Film Story. Not included.

    Album available as an add on

  • The Full Saga. Included.

    One linen bound coffee table album, 12 by 18 inches, 30 spreads, lay flat, on matte fine art paper

  • The Full Saga. Included.

    Two parent copies of the album at 8 by 12 inches

  • The Full Saga. Not included.

    Additional album copies are priced per copy

Behind the lens

We are Meghna and Devansh. We live in Udaipur and we have been photographing weddings here since 2016. Between us we carry two stills bodies, one cinema body, and a second shooter we have worked with for years. We shoot quietly. We ask before we walk into a room. We do not stage the departure and we do not ask you to do the garlands twice.

about two hundred wedding days since 2016

An over the shoulder view of a photographer's hands cradling a camera, the rear screen showing the couple being composed, warm light raking across the lens barrel.

Meghna Chundawat

Photography. Candid and traditional.

From Udaipur

Meghna grew up three streets from Fateh Sagar and learned to see in the flat blue light that sits over the lake before the sun clears the Aravallis. She assisted an editorial photographer in Mumbai for four years, got tired of photographing clothes, and came home in 2016 to photograph people instead.

She works with two bodies, mostly a 35 and an 85, and she will not put a flash on your ceremony unless the room leaves her nothing. She is the one you will hear laughing at the back when the families start negotiating.

I am looking for the thirty seconds after the ritual ends, when everyone forgets to hold their face.

Two full frame bodies, dual card slots, 35mm and 85mm primes, one 24-70 for the crowd.

A maroon and gold brocade pagdi with a white kalgi and a gold sarpech, lying beside a camera on a polished floor, with marigold drapery thrown far out of focus behind it.

Devansh Paliwal

Cinematography, sound and the edit.

From Pali, Rajasthan

Devansh trained as a sound recordist before he ever held a camera, which is why our films are cut to what a day sounded like as much as what it looked like. He came to Udaipur for a diploma in 2012 and never went back to Pali except for weddings.

He puts two lapel mics on the ceremony so the film carries the actual words, not a licensed track over silence. He is the one standing at the back during the phere, never in front of them.

Give me the priest's voice, a grandmother humming and one door closing, and I can build the whole day out of that.

One cinema body, one backup, a gimbal he uses less than people expect, two wireless lapel mics and a field recorder.

We had four hundred people and I was certain the day would come back to me as a blur. Meghna sent sixty photographs two weeks later and I found things in them I had not seen happen. My father crying during the kanyadaan. I had no idea.
Ananya KothariUdaipur . Jagmandir Island Palace, November 2024
They flew to Nairobi and walked into our gurdwara like they had been there before. Shoes off, heads covered, no flash, nobody had to tell them anything. My nani noticed. That is the whole review.
Gurleen Kaur SandhuNairobi . Anand Karaj, August 2025
We had thirty eight guests and a budget we were slightly embarrassed about, and they never once made us feel small about either. The quote had every line in it, GST on its own line, travel on its own line. Nothing appeared later.
Aarushi RathoreJodhpur . Rohet Garh, February 2025
The film has my grandfather's voice in it. He passed away in March. I have watched that thirty seconds more times than I have watched the rest of the film put together.
Riya VargheseKottayam . Nuptial mass, January 2026

A two person studio in Udaipur. One of us shoots stills, one of us shoots film. We take about twenty weddings a year because that is how many two people can actually shoot.

  • There are two of us, plus a second shooter we have worked with since 2018. On a wedding day you get all three, so the haldi upstairs and the baraat outside are both covered.
  • Every camera has two card slots and writes to both at once. Nothing has ever lived on a single card.
  • We carry a spare body and a spare lens each to every wedding, including the ones we fly to. The spares are not props, they have been used.
  • Cards are copied to two drives before we sleep. One drive stays with us, one goes back to the studio in Udaipur, and a third copy sits in cloud storage until your gallery is delivered.
  • If one of us falls ill, the other still shoots and we bring in one of four photographers we have worked alongside for years. We tell you who, by name, before the day. If we cannot field a team at all, the retainer comes back in full.
  • We take about twenty weddings a year. We do not double book a date, and if we are held we say so on the same day you ask.
  • We have kept about two hundred wedding days since 2016. We do not have a more exact number than that, and we would rather tell you so than invent one.
  • We show full films, not only the reels. Ask for the long edit of any wedding on this page and we will send the link.
  • We are listed on WedMeGood and WeddingWire, and our Google reviews are public. We have never asked anyone to take one down.
  • Every collection lists what is not included as well as what is. If something is missing from the quote, it is missing on purpose and we will point at it.
  • We ask permission before photographing inside a gurdwara, a mosque or a church, and we follow whatever the granthi, the imam or the priest tells us. No flash during a ceremony unless we are told it is fine.
  • One of us has read your running order twice before the day. If we do not know a ritual, we ask you or we ask the priest. We never guess at somebody's tradition.

Prices and what is not included

Collections

Every collection lists what is not included as well as what is. If something is missing from the quote, it is missing on purpose and we will point at it.

  1. One day. The ceremony, or the ceremony and the reception together.

    Included

    • Candid and traditional photography, both styles, one primary day of up to twelve hours
    • Meghna on stills plus a second shooter, so the getting ready upstairs and the baraat outside are both covered
    • 600 to 800 edited high resolution images
    • A first set of 60 images within 2 weeks
    • Full gallery in 8 to 10 weeks, delivered password protected with a 12 month download window
    • One in person or video call before the day to go through the running order

    Not included

    • No cinematic film and no teaser reel
    • No album, though you can add one
    • No drone
    • No same day edit
    Build my quote₹1,50,000 for one primary day . plus 18% GST
  2. Most couples who want the day to move, not just sit in a gallery.

    Included

    • Everything in The Candid Collection
    • Both of us on the day. Meghna on stills, Devansh on film, plus a second shooter
    • A cinematic wedding film, 8 to 12 minutes, cut to live audio recorded on the day
    • A teaser reel of 60 to 90 seconds, delivered within 2 weeks
    • Two wireless lapel mics on the ceremony so the film carries the actual words
    • 900 to 1,200 edited high resolution images
    • Full gallery in 8 to 10 weeks. Full film in 12 to 16 weeks.

    Not included

    • No same day edit
    • No drone unless added
    • Album available as an add on
    Build my quote₹2,90,000 for one primary day . plus 18% GST
  3. A full celebration across three or more days, usually at a palace or a destination venue.

    Included

    • Three days of coverage across every event you name, start to finish. Faith adaptive: haldi and phere, Anand Karaj and Laavan, Nikaah and Walima, a nuptial mass, or an Ashirwad, as it applies to you.
    • Candid and traditional photography plus the cinematic film
    • A Same Day Edit cut on site and screened at the reception the same evening
    • Drone and aerial coverage where the venue and local rules allow it
    • One linen bound coffee table album, 12 by 18 inches, 30 spreads, lay flat, on matte fine art paper
    • Two parent copies of the album at 8 by 12 inches
    • One pre wedding shoot, in Udaipur or wherever you are, included
    • 1,800 to 2,400 edited high resolution images

    Not included

    • Travel and stay for destination weddings are billed separately
    • Extra days beyond three are ₹85,000 per day
    • Additional album copies are priced per copy
    Build my quote₹6,50,000 for three days of events . plus 18% GST
  • A booking retainer of 30-50% locks your date (date-lock). The retainer is non-refundable; the balance is due before delivery. Reschedules are accommodated subject to availability.
  • Travel and stay are billed separately for destination weddings; drone and heavy-gear logistics are quoted per venue.
  • All prices are quoted plus 18% GST. We state GST separately on the quote and on the invoice. We never fold it into a headline figure.
  • Candid + cinematic runs ~30-50% above traditional-only coverage.
  • Metro weddings skew higher than tier-2 cities. A Delhi or Mumbai date will quote above the same coverage in Udaipur, Jodhpur or Kota. That is venue access, crew stay and local logistics, not a different fee for us, and we will say which is which when you tell us the city.
  • A quote holds for 14 days. Prices on this page are for 2026 and 2027 dates.

Enquiry

Check your date

Tell us the date and the city. We will come back within 48 hours with whether we are free and what it would cost.

What arrives, and when

  • A teaser reel of 60 to 90 seconds in 2 weeks, and a first set of images in the same fortnight.
  • The full password protected gallery in 8 to 10 weeks.
  • The full cinematic film in 12 to 16 weeks.
  • The album 6 to 8 weeks after you approve the selections.
  • If we are running late we tell you before the deadline, not after it.

We answer the phone between 10am and 8pm. During a wedding we do not, and we will call you back the next morning.

City is enough for now. The venue helps us quote travel and tells us whether drone is even possible.

We reply here first.

Ten digits. No country code needed for India.

Wedding dates

Pick a range if it runs across several days. If you are still deciding, give us the month.

This changes the event list below, so we use your words and not a default set.

Events to cover
Guest scale
Budget for photography and film

Give us the honest one. It tells us what to propose and saves you a call.

Prefilled if you arrived from a collection card. Change it freely.

The odd details are the ones that change how we shoot.